Cookies on this website

We use cookies to ensure that we give you the best experience on our website. If you click 'Accept all cookies' we'll assume that you are happy to receive all cookies and you won't see this message again. If you click 'Reject all non-essential cookies' only necessary cookies providing core functionality such as security, network management, and accessibility will be enabled. Click 'Find out more' for information on how to change your cookie settings.

Adverse childhood experiences (ACEs) contribute to 75% of mental illness cases in the UK before age 24, yet their emotional impacts are rarely explored through young people's perspectives. This study investigates how youth with ACEs use blurriness in photography as a form of emotional expression and narrative control. Using a participatory methodology, young people acted as co-researchers through photography tasks, Jamboard discussions and blog reflections. Blurred images – emerging spontaneously – became key artefacts for reflection and meaning-making. Thematic analysis, informed by Constructivist and Chaos Theories, found that blurriness symbolised confusion, fragmentation, vulnerability and distance. It also offered a way to express difficult emotions while avoiding overexposure. Participants associated blurred photography with youth visual culture, especially social media aesthetics that value imperfection and authenticity. This research demonstrates the potential of arts-based, co-produced methods to amplify marginalised youth voices and proposes a participatory visual framework for exploring emotional expression among young people affected by ACEs.

More information Original publication

DOI

10.1177/1329878x261433326

Type

Journal article

Publisher

SAGE Publications

Publication Date

2026-03-25T00:00:00+00:00